Ten Years Of Rampancy
It's difficult to find words to express the privilege I feel to have been involved in this site and to have been a fan of Bungie for more than fifteen years and of Halo now for ten.
| Title | Date |
|---|---|
| No Man's Sky: Cosmos Pt 3 | 10.10.26 |
| No Man's Sky: Cosmos Pt 2 | 09.26.26 |
| No Man's Sky: Cosmos Pt 2 | 09.19.26 |
| No Man's Sky: Cosmos Pt 1 | 09.19.26 |
| Halo Campaign Evolved Pt 4 | 09.05.26 |
| Halo Campaign Evolved Pt 3 | 08.29.26 |
| Halo Campaign Evolved Pt 2 | 08.22.26 |
| Title | Transcriber | Date |
|---|---|---|
| Halo 5: Advent (String... | cwhiterun | 06.07.16 |
| Halo 5: Blue Team (Str... | cwhiterun | 10.22.15 |
| Halo 5: Light is Green... | cwhiterun | 10.20.15 |
| Halo 5: The Trials (St... | cwhiterun | 10.12.15 |
| Roll Call - Price Paid | pimpnmonk | 06.02.14 |
| Behold A Pale Horse Fo... | pimpnmonk | 01.24.14 |
| Farthest Outpost/Mercy... | pimpnmonk | 12.30.13 |
| Episode | Date |
|---|---|
| Sony Acquires Bungie (mp3) | 02.02.22 |
| Let's Play Mass Effect 3 #27 Final... | 06.02.17 |
| Anger, Sadness and Envy Ep. 27: Craig Ha... | 05.08.13 |
| Anger, Sadness and Envy Ep. 25: Destiny... | 03.05.13 |
| Anger, Sadness and Envy Ep. 24: Halo Ann... | 04.21.12 |
| Anger, Sadness and Envy Ep. 23: Halo Ann... | 06.26.11 |
| Anger, Sadness and Envy Ep. 21: The Wint... | 04.18.11 |
It's difficult to find words to express the privilege I feel to have been involved in this site and to have been a fan of Bungie for more than fifteen years and of Halo now for ten.
Since Halo 3 was released more than 18 months ago, devout fans everywhere have been asking themselves one question: Floodgate or Cortana?
The answer can now be revealed, confirmed by both Netcraft and Louis Wu: The Ark.
Blackstar of Blackstar Productions and Narcogen of Bungie fansite Rampancy.net run through the first part of the Halo 3 level "The Ark", covering art, gameplay and story.
Show Highlights:
I recently read vector40's Banshee Voice Communication article and it gave me an idea: why not expand the partnership to cover all of Halo 3? (with the exception of campaign, for reasons which will later be explained)
Action music from Halo Wars which can be heard during epic battles and attacking enemy bases, composed by Stephen Rippy. Easy to play.
This is a very easy transcription since it's very hard to transcribe with so much percussion and effects like this song. However, I hope you'll enjoy it.
Gravemind put all his ideas about what would be the ultimate Halo game. I thought I'd take a look at some of those elements and see which I liked, which I didn't, and why:
My preferred compromise would be a Resistance-style "sectional bar" health system, with the player using health packs to fully restore their health; the player's health would have limited regenerative capacity, and could sustain damage that won't come back on its own. The health bar would be divided into three to five sections, depending on which number works better for gameplay or for each particular character. The health bar would be a solid bar with no visible lines to demarcate the sections. Instead, it would change color as it diminishes depending on which section the player's current health level occupies, similar to Halo 1's health bar but without the less accurate individual squares that composed that one -- the colors would be blue, yellow, & red if there are three sections, blue, green, yellow, & red if there are four, and blue, green, yellow, orange, & red if there are five. Each subsequent section could be made to regenerate slower than the preceding one. For example, the blue section might regenerate at one-quarter the rate of the shields, while the yellow section might regenerate only one-eighth as quickly and the red section might not regenerate at all.
This really would be an Ultimate Halo, at least in terms of difficulty, unless the damage model were altered. In this case, players are punished doubly for allowing their health to drop precipitously. Not only are they close to death, with further damage threatening to kill them, but they are forced to wait in safety for health to regenerate longer than if they had taken less damage-- and at that time it would be less important.
Of course, if there are health packs available this difference in regenerative rate is moot, since they restore health fully.
I think the above scheme is unnecessarily complicated and not particularly transparent. Unless the indicator takes up a significant portion of screen real estate the difference in regenerative rate may not be immediately apparent.
Frankly I think the design decision required is bold: to either have regenerating health or health packs but not both. H2/H3 compromised by having your shield, as your primary line of defense, regenerate, while retaining a "hidden" amount of health. (Also not particularly transparent.)
A detail-oriented critic of the Halo series, Gravemind has now collected his ideas into a kind of roadmap for his ultimate Halo game to combine all the elements he finds the best from all three games, as well as eliminating the faults. Interesting read. If y ou don't like the light text on dark background version at the shadow of the void, you can try the dark text on light background version at HBO.
At Edge Online, N'Gai Croal in his blog discusses some interesting issues relating to realism, verisimilitude, and detail, many of which echo some of my own experiences.
Because even those titles which are widely seen as exemplars of game realism, be they Crysis or Mass Effect or Grand Theft Auto, are themselves stylised in some way. So what is it that we mean when we say that a game is realistic? Are we talking about verisimilitude? Detail? Atmosphere?
I tend to think that of all these, "realism" is actually the least important, followed by detail, atmosphere, and verisimilitude. This is the opposite of the order they are usually discussed (perhaps it's a prejudice against long words).
Realism, especially in a combat game, is the last thing you want. You don't want things to be real, just to seem real, or real enough. The exploits most combat games require of their players in order to "win" are ridiculous by their very nature, even for the super-soldiers those games have as protagonists. The last thing they need on top of that are realistic treatments of weapons, damage, fatigue, and the like.
I think that's a big part of the reason that so many very successful franchises (Halo, Mass Effect) largely operate outside those parameters by operating in the future, where unrealistic situations and damage models can be explained away by advanced technologies-- better shields, better weapons, better vehicles.
It is where realism is misapplied, or rather selectively applied, in games like GTA, where I think there's the most dissonance. Things look and seem like they are happening in the real world, but the perception of verisimilitude recedes as more and more unrealistic things happen, or else the fun turns into frustration when the virtual reality restricts the player's actions.
According to Edge, Microsoft has settled with PalTalk holdings, the company that alleged that Halo infringed on patents they held that covered interactive gaming.
Halo fan and Halo fan fiction author vector40 pointed out that one of his college textbooks, Understanding Videogames by Simon Egenfeldt-Nielson, features a piece of Halo fan fiction by UNSC Trooper-- a fiction featured in, of course, the HBO fan fiction section.
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